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What’s the Greatest 50mm Lens for Your Sony Digicam?


A query that can final till the top of time is “What’s the finest lens for my digital camera?” Even after that query, you’ll have to have a look at all of the completely different choices for that specific kind of lens or focal size. One such instance is the lately expanded assortment of 50mm lenses for the mature Sony E mount. With years of regular lenses to have a look at its a very good query in case you are searching on your subsequent optic.

The creators of Play by Pause have collected among the finest choices at present out there for a comparability of the lot and hopefully to search out out which is the “finest.”

What on the checklist for immediately?

Ergonomics & Design

Up first is the design. A giant consideration is dimension and weight. The latest f/1.2 G Grasp whens essentially the most with the Mitakon f/0.85 as a detailed observe up. Issues drop considerably with the FE 55mm sitting at simply over a 3rd of the G Grasp’s weight and the 50mm f/1.8 shaving one other 100 grams off of that.

All have strong building, besides maybe the reasonably priced f/1.8 because it has a reasonably light-weight plastic building. One other good thing about the larger Mitakon and G Grasp are extra tactile controls. For guide work the Mitakon is an efficient selection, nevertheless the G Grasp has good guide controls and a wide range of automated features and switches and dials to associate with them.

The 55mm and f/1.8 each are restricted to simply focus rings they usually aren’t essentially the very best since they’ve an older response system that isn’t linear. If you’d like one thing primary and reasonably priced the 50mm f/1.8 is the clear winner by far.

Picture Credit score: Sony


Autofocus is the preliminary take a look at for efficiency and all of the lenses carry out surprisingly shut—besides the Mitakon which is guide focus solely. There’s a distinction in AF and that’s motor noise. The G Grasp is the very best and the 55mm is excellent. Nonetheless, the 50mm f/1.8 can have some noise be picked up you probably have delicate audio tools near the digital camera.

A remaining notice for this part is that despite the fact that they’re all nearly 50mm, there are slight variations within the subject of view. Clearly, the 55mm punches in a tad, however even the 50mm f/1.8 appears to be a bit longer than a regular 50mm. An fascinating comparability to take a look at.

Picture Credit score: Sony


Trying out sharpness they begin off at f/5.6 and slowly open it up till you hit the widest aperture. At f/5.6 issues look even within the middle, although the G Grasp seems to have a slight edge. On the edges the G Grasp continues to be the chief, although Mitakon takes a significant hit.

Going to f/4 issues have a tendency to stay the identical after which at f/2.8 some fringing seems to be launched. Going to f/1.8 the separation is a bit clearer. The G Grasp is clearly the winner by far whereas the 55mm takes second, the 50mm f/1.8 comes up subsequent, after which the Mitakon on the very finish. Going farther, the G Grasp continues to shine even at its widest of f/1.2.

Picture Credit score: Mitakon

Aberrations & Vignetting

Chromatic aberration is frequent with quick aperture lenses. Beginning at f/1.8 the G Grasp once more takes a transparent victory with none noticeable  aberrations. Apparently, the f/1.8 is available in second with Mitakon after that and the 55mm pulling in final. For images this isn’t an enormous deal however for video it’s a lot tougher to work with.

Distortion will not be an enormous problem with any of those lenses. Vignetting alternatively does begin to present up, although it’s not too unhealthy on many in my view.

Bokeh is a enjoyable one as all the time. No actual surprises. The G Grasp is nice and the 55mm can be superb. Mitakon exhibits off its aperture blade till you get large open, however you then obtained some critically shallow depth of subject. The 50mm f/1.8 is pretty common.

Flare is the final up and it’s the place the extra stylized look of the Mitakon comes into play. It casts a tender mild over the picture which may very well be what you might be searching for. On the opposite aspect, the G Grasp retains essentially the most distinction and sharpness even with mild shining immediately into the lens.

Picture Credit score: Sony

The Verdict

Clearly, quite a bit goes to return all the way down to funds. If you’d like the very best and might take care of some dimension and weight the 50mm f/1.2 G Grasp is the very best. For one thing extra stylized the Mitakon 50mm has a definite look that’s exhausting to copy. On a brilliant slim funds?

The 50mm f/1.8 is a strong performer and definitely worth the cash. The 55mm is an fascinating one, because it isn’t low cost and isn’t fairly the very best. I’m undecided fairly the place it sits immediately except you need one thing higher than the f/1.8 and positively want good autofocus.

I positively have a G Grasp on my want checklist. What about you?

[source: Play by Pause]

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