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$500 Gimbal vs $200,000 Hollywood Digital camera Automotive Rig |


Each few years it’s attention-grabbing to check out all of the tools accessible within the filmmaking trade and the way accessible it has grow to be. All the pieces simply appears to get higher and cheaper. One space to take a look at is the gimbal stabilizer.

As soon as a really restricted and specialised position with prohibitively costly tools it’s now one thing that even newbie filmmakers can decide up for little or no from each tech retailer – they even make some to your cellphone!

In an final take a look at of simply how good these gimbals have gotten, Chris Hau took the brand new WEEBILL-2 from Zhiyun-Tech out in opposition to a $200,000 digicam rig most frequently discovered on Hollywood units.

The topic here’s a automotive and the purpose is to get some cinematic photographs. The digicam for use is the Sony a7S III with a 24-70mm f/2.8 GM lens. It’s a heavy however strong setup. The WEEBILL-2 is a pleasant improve with extra stability and higher dealing with with its underslung mode. Coming in at $500 for the gimbal and about $5,000 for the digicam and lens.

Competitors is fierce, nevertheless, with a KALA automotive. It has a RED MONSTRO with 18-100mm lens a Movi XL Gimbal, and the MotoCrane Extremely on a Mercedes ML63. Complete value is $200,000 for the automotive, rig, digicam, and modifications.

They did a wide range of completely different shot varieties to see how every one may deal with the differing types. For a monitoring shot, they each look nice. The advantage of the KALA automotive is that there’s extra accessible motion with the arm and a devoted crew to run it. Nonetheless, when it comes to primary high quality, there may be little or no distinction within the precise footage.

Picture Credit score: MotoCrane

KALA positively makes life simpler. Although, most individuals probably usually are not taking pictures solely epic motion automotive sequences by hanging a gimbal outdoors their automotive window. If you happen to simply wish to shoot a pleasant automotive each occasionally that is a formidable demo of the place client know-how has gotten.

Actually, the most important factor right here needs to be security and management. The devoted automotive rigs are far more secure and dependable to function – which is massively vital for skilled productions

You’ll be able to see it with the parallel monitoring the place the KALA automotive retains up clear whereas there are some stutters and potential moments the place you’ll lose the shot with the WEEBILL-2. Is a budget rig nonetheless workable with some observe and a number of takes? Completely.

Picture Credit score: Zhiyun-Tech

You actually shouldn’t be anxious about what gear you might have, you may make quite a bit with what you might have already.

[source: Chris Hau]

Order Hyperlinks:

  • Zhiyun-Tech WEEBILL-2 Gimbal Stabilizer (B&H, Amazon)
  • Sony a7S III Mirrorless Digital camera (B&H, Amazon)


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