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$500 Gimbal vs $200,000 Hollywood Digital camera Automobile Rig

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Each few years it’s attention-grabbing to try all of the gear out there within the filmmaking business and the way accessible it has change into. All the things simply appears to get higher and cheaper. One space to take a look at is the gimbal stabilizer.

As soon as a really restricted and specialised function with prohibitively costly gear it’s now one thing that even newbie filmmakers can choose up for little or no from each tech retailer – they even make some in your cellphone!

In an final take a look at of simply how good these gimbals have gotten, Chris Hau took the brand new WEEBILL-2 from Zhiyun-Tech out in opposition to a $200,000 digital camera rig most frequently discovered on Hollywood units.

The topic here’s a automobile and the goal is to get some cinematic photographs. The digital camera for use is the Sony a7S III with a 24-70mm f/2.8 GM lens. It’s a heavy however stable setup. The WEEBILL-2 is a pleasant improve with extra stability and higher dealing with with its underslung mode. Coming in at $500 for the gimbal and about $5,000 for the digital camera and lens.

Competitors is fierce, nevertheless, with a KALA automobile. It has a RED MONSTRO with 18-100mm lens a Movi XL Gimbal, and the MotoCrane Extremely on a Mercedes ML63. Complete price is $200,000 for the automobile, rig, digital camera, and modifications.

They did a wide range of completely different shot varieties to see how each may deal with the differing types. For a monitoring shot, they each look nice. The good thing about the KALA automobile is that there’s extra out there motion with the arm and a devoted crew to run it. Nonetheless, by way of primary high quality, there may be little or no distinction within the precise footage.

Picture Credit score: MotoCrane

KALA positively makes life simpler. Although, most individuals doubtless usually are not capturing solely epic motion automobile sequences by hanging a gimbal outdoors their automobile window. Should you simply need to shoot a pleasant automobile each on occasion that is a formidable demo of the place client know-how has gotten.

Actually, the largest factor right here must be security and management. The devoted automobile rigs are rather more protected and dependable to function – which is vastly necessary for skilled productions

You possibly can see it with the parallel monitoring the place the KALA automobile retains up clear whereas there are some stutters and potential moments the place you’ll lose the shot with the WEEBILL-2. Is a budget rig nonetheless workable with some follow and a number of takes? Completely.

Picture Credit score: Zhiyun-Tech

[source: Chris Hau]

Order Hyperlinks:

  • Zhiyun-Tech WEEBILL-2 Gimbal Stabilizer (B&H, Amazon)
  • Sony a7S III Mirrorless Digital camera (B&H, Amazon)

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